Portfolio of Recent Work

My inventory is updated constantly, albeit not online. To purchase one of the works below or inquire about others, pricing, or special projects, email Nilly Livesay at ms.nichole.livesay@gmail.com and indicate, somehow, that you are a real person - perhaps by telling me your favorite flavor of ice cream. (Mine is peanut butter cup.)

Neo-Rococo Series

Maxfield's Clouds

24"x30", oil and acrylic on canvas, N. Livesay, 2026. $975

High Tide
In Midsummer

16"x12", oil and acrylic on canvas, N. Livesay, 2026. $330

Inspired by Rococo-era artworks, the palettes of Maxfield Parrish, and images of coral reefs, the cosmos, smoky skies, and my kids' thriving aquarium.

Koi
Ascension

18"x24", oil and acrylic on canvas, N. Livesay, 2026. $650

Glamazon

16"x12", oil and acrylic on canvas, N. Livesay, 2026. $330

Vapor Point

24"x18", oil and acrylic on canvas, N. Livesay, 2026. $650

Bloom

20"x16", oil and acrylic on canvas, N. Livesay, 2026. $500

30"x24", oil and acrylic on canvas, N. Livesay, 2026. $900

24"x36", oil and acrylic on canvas, N. Livesay, 2026. NFS

Signal to Noise Series

This series explores the relationship between stillness and noise, using a wide lexicon of brushwork and negative space to create tension and dynamism.

The Color of Sound

24"x30", oil and acrylic on canvas, N. Livesay, 2026. $900

Tumbled in the Sea
Mozart in the Womb

20"x20", oil and acrylic on canvas, N. Livesay, 2026. $400

20"x24", oil and acrylic on canvas, N. Livesay, 2025. $350

Lady Falling Through the Sky

30"x40", oil and acrylic on canvas, N. Livesay, 2025. Private collection.

Boundless Series (For The Little Gallery at Oregon State University)

Curated by Helen Wilhelm in 2025, this series, made for The Little Gallery at OSU, explored the concepts of territory and belonging. I think about borderlands and identities often – as an Oregonian woman raised in the last vestiges of the “western frontier,” and as an oddball artist and teacher who traverses rural and urban cultures, code-switching reflexively to fit everywhere (but also nowhere). Since my youth, I've straddled the strange intersection between academia and rural reality, and carry undying, often conflicting allegiances to both of these spheres of existence. Living and teaching in this space has made me keenly aware of cultural boundaries and points of trespass, and awakened by the wonder of moments in which commonalities and fresh insights blossom across divisions. Most of my paintings are about the beauty and nuance of that intersectionality: they’re an exploration of borders and spaces alternately standing strong, blending, fraying, or bleeding into oblivion.


Trespasser

30"x40", oil and acrylic on canvas, N. Livesay, 2025. Private collection.

Backbones and Faults

40"x30", acrylic and oil on canvas, N. Livesay, 2025. Private collection.

The Old Believers

40"x30", acrylic and oil on canvas, N. Livesay, 2025. Private collection.

Seedling

48"x60", oil and acrylic on canvas, N. Livesay, 2025. Purchased for permanent public display at the Oregon State University Seed Lab.

In Watermelon Sugar

36"x30", acrylic and oil on canvas, N. Livesay, 2025. NFS

Fisherman's Knot

40"x30", acrylic and oil on canvas, N. Livesay, 2025. $800

Harvest Cycle

48"x36", acrylic and oil on canvas, N. Livesay, 2025. $800

The Other Side

48"x36", acrylic and oil on canvas, N. Livesay, 2025. Private collection.

All artwork, images, and text on this website are the exclusive property of artist Nichole "Nilly" Livesay and are protected under international copyright laws. [1, 2] All content is copyright © Nichole Livesay, 2026. All rights reserved. Images may not be downloaded, reproduced, copied, or used in any digital or physical format without explicit written permission from the artist. Unauthorized use of any content on this site for machine learning or artificial intelligence training is strictly prohibited.